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THE FIRST ONE

Released in 2004, this was the first CD release from Symphony in DeMeanor. It went on to win the 2005 Best Album award from the International On-Line Music Awards.

THE SECOND ONE

Released in 2006 critics warmly welcomed this follow-up to The First One with one review saying "an excellent follow-up, well worthy of your attention."

TIME GOES ON

Released in 2009, this was the band's first full-length CD, with 10 songs. Named "One of the 10 Best CDs of the Year" that Province rock critic Tom Harrison reviewed 

THE FIRST ONE

Released in 2004
Recorded at MagicLab Recording (r.i.p.) and Abbey Glen Studios
Recorded by Tom Carter (with occasional dabbling by Bruce Carrick and Rob Vermeulen
Also recorded at Tony's Basement, Langley Music Connection and Bruce's Old Place
Additional recording by Shael Wrinch at Beatty Lane Studios
Mixed by Tom Carter
Produced by Symphony in DeMeanor
Mastered by Craig Waddell at Gotham City Studio
Album artwork created by Losfer Words Records design studios

Track List

Lonely Fool
Say Good-Bye
Crazy Man
Another Birthday
White Rabbit
Farewell Marissa

WHAT'S BEEN SAID ABOUT "THE FIRST ONE"

  • Symphony in DeMeanor are without doubt one of the best and most musically accomplished bands EVER to have come out of Canada... correction... North America! Their debut CD contains only 6 tracks, which is a crime, but those 6 tracks are among the best written, composed, performed and produced tracks that I have ever heard in my life! And, like a lot of artists who produce brilliant music, they don't appear to realize quite what they have done! Their music is very Beatles, very ELO, very Queen, and very, very Symphony in DeMeanor.... George Martin would be walking on air had he produced this album...

    COLIN LYNCH
    On-Line Music Magazine
  • Symphony in DeMeanor gives psychedelic rock with lots of Jeff Lynne-type production and a smidgen of Pink Floyd "Dark Side of the Moon" influence. Picture Jeff Lynne's work on The Beatles (or rather 'Threetles') 1995 "reunion" tracks ("Free As a Bird" and "Real Love"). There are 5 original tracks, along with a great cover of "White Rabbit", complete with backwards guitar. In fact, the cover of this Jefferson Airplane classic is my favourite thing on the disc, great arrangement! The originals are not wholly original, but if you like psychedelic rock you will really dig this CD. Symphony in DeMeanor reminds me of an updated Klaatu and that's not a bad thing!
    SCOTT H. PLATT
    Ear Candy Magazine
  • ...this is their debut CD. It is only 6 tracks, and one of them is a cover of "White Rabbit", but the other self-penned songs show what a great band this is... The first song they ever recorded - Lonely Fool - opens the album, and from the off you can hear traces of 60s and 70s pop and rock. This continues into the more up-tempo "Say Good-Bye", which combines Spock's Beard style harmonies and a very Beatle-ish middle eight. The harmonies turn to The Beach Boys for "Crazy Man", and they bring out the heavy guitars for the closing "Farewell Marissa". "Whate Rabbit" has always been one of my favourite songs... the whole album is a polished piece of work. After only one hearing I remembered every track on the second play... If you like well-crafted songs... played by a band who know what they are doing then check out their website... I look forward to a full-length album at the earliest opportunity.

    PETER JOLLY
    Feedback Music Magazine
  • Calling all Beatles fans! This opus will please them, A trip to the end of the 60s certified. At the time of Abbey Road more precisely. Do you remember Klaatu? Those Canadian guys (especially by the first albums) could create a Fab Four atmosphere; some even thought they were The Beatles under a pseudo! Here the sensation is similar. Even the front and back covers suggest those heydays (a logo and lamp of that time). A pity the album is short (only 6 songs, 3 minutes long each) for those 4 Canadian lads (yes, they come from Canada too!) are gifted. You'll enjoy the harmony vocals, the catchy melodies, the humour (the band's name for instance... a splendid time is guaranteed for all.

    ROLAND ROQUE
    Acid Dragon Magazine
  • Ever wonder what mid-period Pink Floyd would have sounded like if yoiu added in some Badfinger harmonies and a Jefferson Airplane cover version? What do you mean no? Some kind of spacerock fan you are. The above should have you clicking on the link... for this is an absolutely delightful mini-album, chock full of Caravan type melodies, fluid guitars and adventurous songwriting, all without straying too far from a mid-70s vibe. They rattle thorugh 6 tracks in 20 minutes, each one a pearl, worth repeated plays. Opener, "Lonely Fool" is probably the shiniest of them all, all Blind Dog at St Dunstans mixed with the Electric Light Orchestra, absolutely fabulous. A close runner-up is "Crazy Man", both a song of hope and despair all entwined together. There is no excuse for not buying this...

    ZEITGEIST MAGAZINE
  • Symphony in DeMeanor is a guitar/keyboard based band playing beautifully crafted melancholic pop/soft rock songs influenced by The Beatles, Beach Boys and the 70s. their tracks are thoughtful, crafted, and melodically inventive with cool arrangements and delightful harmonies. Musically and lyrically worldly-wise their music also paradoxically conjures up a feeling of child-like innocence and wonder. Try the delightful lost 60s hit "Lonely Fool" or the super melodic "Crazy Man" with its beautiful haunting chorus. Great band...

    STEVE ISON
    Music Review Critic

THE SECOND ONE

Released in 2006
Recorded at Abbey Glen Studios, Tom's Pad and at Bruce Lab
Recorded by Tom Carter with additional overdubs recorded by Rob Vermeulen and Bruce Carrick
Additional recording by Shael Wrinch at Beatty Lane Studios
Mixed by Tom Carter
Produced by Symphony in DeMeanor
Mastered by Craig Waddell at Gotham City Studio
Cover design by Tom Carter

Track Listing

She'll Never Find It
Dreams
What She Needs
Everybody Knows
Vision Without Eyes
Let The Children Play

WHAT'S BEEN SAID ABOUT "THE SECOND ONE"

  • This band's music falls somewhere between Pink Floyd's "Dark Side of the Moon" album and The Beatles "Revolver" album. It's expecially noticeable on songs like "Dreams", "Vision Without Eyes" and "Let the Children Play". The songs have a timeless appeal about them. I mean, it sounds as if they were recorded around the same time as "Dark Side of the Moon" or "Revolver". There's a trippy feel to the whole thing.

    J.R. OLIVER
    Ear Candy Magazine
  • The Second One is a very important album for us, for the planet and for the music and entertainment industry. Symphony in DeMeanor go on excelling and overwhelming our expectations, not just as very, very fine and accomplished musicians, but as a couple of guys who have brought back what we have all been missing and what we thought was gone forever! The second "mini" album also re-confirms the fact that even without the stunningly brilliant mastering, production, and engineering efforts that have gone into making this unique piece of work, in 2006...Symphony in DeMeanor have no equals ANYWHERE! For one of the most "together" bands I have ever had the pleasure to know, they're quite simply a band apart.
    COLIN LYNCH
    On-Line Music Magazine
  • SiD have produced a clutch of songs to rival their excellent debut. "She'll Never Find It" is a great pop/rock song to open the album, and the professionalism that I have come to expect from them is all present and correct. Great vocals, great playing, and a great song. An accordian adds a French flavour to "Dreams" and is another catchy piece, while "What She Needs" has a quirky enough melody to bring to mind XTC. "Everybody Knows" is the first slow song of the disc, and the lovely melody brings to mind the best of The Beatles ballads, while the slide guitar evokes a slight country feel. "Vision Without Eyes" is a slow rocker with some fine playing, and they end the album with the harmony laden "Let the Children Play", which also features some fine guitar and "I Am the Walrus" type weirdness at the end. every song has a catchy melody, superb playing, great vocals... what real rock music should be about.....
    PETER JOLLY
    Feedback Music Magazine
  • The is the cunningly named follow-up to Symphony in DeMeanor's debut album, "The First One", which may have seemed a bit cocky in its nomenclature at the time but now rings true. And this release is a delightful set of pastoral prog that will make many an old Camel fan very happy. That would be me, then. It's a bijou release, clocking at 23 minutes but what you get are a half dozen absolutely splendid tunes that you'll be returning to time and again. They stray into power pop territory on "What She Needs" but come right back on track by the time they hit the Alan Parsons Project-like "Vision Without Eyes". An excellent follow-up, well worthy of your attention.
    ZEITGEIST MAGAZINE

TIME GOES ON

Released in 2009
Recorded at Abbey Glen Studios by Tom Carter and Rob Vermeulen
Additional recording by Shael Wrinch at Stonehill Studio
Mixed by Tom Carter
Produced by Rob Vermeulen, Tom Carter, Bruce Carrick
Mastered by Craig Waddell at Gotham City Studio
Cover design by Tom Carter

Track Listing

Time Goes On
Through
Madame Lola
The Past
Child Inside
Getting Older
How Long
Who Am I
I'm Okay
Where Are You

WHAT'S BEEN SAID ABOUT "TIME GOES ON"

  • What do you do with an album that suggests influences as wide-ranging as Crosby, Stills and Nash, Pink Floyd, and, well, a host of classic pop music bands? You hug it tightly, of course, which is what I'm doing with Canadian band Symphony in DeMeanor's Time Goes On album. Take, for example, the sterling piece of work that is "The Past", a gorgeous track that will soon be spinning in rotation on Pure Pop Radio. If CS&N were a pop band, this is the song they'd be singing--a beautiful, affecting musical treasure that also tips it's hat to the Floyd in its stunning instrumental break. The breakthrough track "I'm Okay" (also to spin on Pure Pop Radio in the coming days) kicks off with a wonderful, master class-level demonstration of harmony singing and carries on as a beautiful mid-tempo ballad. There is more to savor here, but I'll let you discover the pleasures abounding yourselves.

    ALAN HABER
    Pure Pop Radio
  • Had to search around a bit to get the CD as Amazon only have this available as a download, but a link on the SiD website put me onto some company in the US, and it was here within a week. And this was definitely worth waiting for. Again, one of those albums you know you are going to enjoy from the first few chords. (Which sound a bit like early Pink Floyd). Favourite tracks at the moment being the title track "Time Goes On", a lovely little catchy tune called "The Past", which has some nice guitar work and then when the drums kick in you can't help but go with it, and a lovely ballad called the "Child Inside". Great album. Get it and enjoy it.

    BILL MASTER, listener review
    Amplified #109
  • I also appreciate the way Symphony in DeMeanor (or SiD) presents their music... they present their compositions like a chef presents a gourmet meal or a wine stewrad presents a fine wine.... It is savoured; taking time to let the textures, tastes and aromas gently entertain the senses. SiD's music is a gentle, somewhat psychedelic experience. While not completely rooted in the 60s, there is a flavor of the Summer of Love with a sprinkling of Strawberry Fields era Beatles. But this is their own music, their own unique voice; a very welcomed voice at a time when there too much "musical" junk out there. Rob, Tom, Bruce and Mike's music is honest, truthful and sincere; they serve us something from their heart, a music they fully believe in. And I appreciate that! Time Goes On (2009) is Symphony in DeMeanor's third album and just like their previous albums... it is a flavorful taste fest.

    BONGOLONGLAND
    Bongolongland
  • Time Goes On... by Symphony in DeMeanor...in the Top 10 CDs of the last decade. Repeated listens show hidden hooks and textures revealing a masterpiece of epic Beatlesque proportions... Buy this CD and get hooked... a stunning CD

    TODD DILLINGHAM, DJ
  • CD of the Week: Symphony in DeMeanor: Time Goes On

    Mentioning Klaatu inevitably means mentioning The Beatles. There are pitfalls in this but mention Klaatu and that triggers The Beatles rich psychedelic period. "Penny Lane" equals "Sub Rosa Speedway". Klaatu tends to be dismissed as lightweights, which overlooks debts to The Yardbirds and prog-rock. Symphony in DeMeanor is reminiscent of Klaatu's sweetness but also its respect for The Beatles. Deep and grand melodic rock reinforced by strings and keyboards, sometimes recalling Badfinger, and believe it or not, Kermit the Frog.

    TOM HARRISON, ROCK CRITIC
    The Province newspaper
  • I hate the term "retro" so I'll just put it this way. These guys would be ruling the airwaves if this were 1974... years of fighting it out with Elton John, Paul McCartnery and Wings and the Jackson 5 for song of the week. Rubbing shoulders with Billy Preston and Ringo. Jetting around the world and appearing on American Bandstand and the Midnight Special. But... unfortunately... none of the above is going to happen. They probably deserve every bit of it but it's just not going down that way. "Time Goes On" is a collection of 10 superbly crafted songs about time, mortality and questioning ones own existence. In other words, grown up songs by grown up musicians. And yes, all the tried and true comparisons like The Beatles, Electric Light Orchestra, Badfinger and Pink Floyd are dead on. I could think of worse company. Couldn't you?

    J.R. OLIVER
    Ear Candy Magazine

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